All scales in all positions for guitar by Anderson, Muriel; Scott, Jim

By Anderson, Muriel; Scott, Jim

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35 Practice Hints: Do not be fooled by the sixteenth notes. This piece should not be played too fast. In the third measure there is a B which should be played on the fourth fret of the G string instead of the open B string. The D stays in its regular place. 2) Aguado 4 p i m i p i m i 0 3 3 3 4 0 4 2 3 4 1 4 4 0 4 2 Note: A number in a circle tells you what string to play that note on. 3 = G-String Feel free to copy this method for your friends, but please leave the credits intact. The method and the mp3 audio files are copyrighted.

They are your first “real” classical guitar pieces. They were written by famous composers who were also accomplished guitarists. Each piece presents different difficulties. Expect to practice at least two to four weeks to be able to play the piece at your full potential. Note: You have come a long way. Try to play not just the notes but play musically. In other words, play it the way you would like to hear somebody play it for you. Feel free to copy this method for your friends, but please leave the credits intact.

F sharp, C sharp. b. B flat, E flat, A flat, D flat. 1) 1. 2. 3. 4. 5. D, 3rd fret, B-string. G, open, G-string. G, 3rd fret, E-string. B, 2nd fret, A-string E, 2nd fret, D-string. 2) 1. 2. 3. 4. 3) A sharp raises the note by one fret. 4) A flat lowers the note by one fret. 5) A dot behind a note prolongs the note by half its value c. F sharp, C sharp, G sharp, D sharp, A sharp d. B flat, E flat, A flat.

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