By R. J. Ellory
By award-winning mystery heavyweight R.J. Ellory, this bold crime novel takes his ability for suspense to a spellbinding level.
whilst Catherine Ducane disappears in New Orleans, the law enforcement officials react fast--she is the governor's daughter, finally. however the case fast grows strange.
Her bodyguard turns up horribly mutilated, and while the kidnapper calls, he does not wish cash: he wishes time on my own with a minor govt functionary. by the point the items fall into position, it truly is already too overdue . . .
A Quiet Vendetta is either the epic tale of 1 mobster's life-- starting from Cuba to Chicago-- and both a strong mystery of rage, love, and loss. With stress to compare the simplest of Cussler, Patterson, and his personal best-selling paintings, A Quiet Vendetta confirms R.J. Ellory's position on the leading edge of the style.
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Extra resources for A quiet vendetta
A little after ten Verlaine lay on his bed. He drifted for a while, the window wide, the sounds and smells of New Orleans drifting back into the room with the faintest of breezes. You had to live here to understand, you had to stand there in Lafayette, out in Toulouse Wharf, there in the French Market as you were jostled and shoved aside, as the ripe odor of humanity and the rich sounds of its brutal rhythms swarmed right through you . . You had to do these things to understand. This was the Big Easy, the Big Heartacher.
Verlaine smiled. It was a small mercy indeed. The image of the constellation drawn on the victim’s back haunted Verlaine’s thoughts as he drove back to the Precinct House. It was a twist, perhaps significant in the fact that quinine was used, perhaps in the constellation itself. It would all start to open up with the identification of the body. And, figuratively speaking, that was where it had ended as well. He pulled into the car lot back of the Precinct and went up the steps into the building.
That’s when you have the trademark. This one . . well, this one’s different. If you had a psycho working for himself he’d have maybe left the vic where he killed him, perhaps cut the body up and distributed it someplace. The psycho thing is all about showing everything for the world. Here he wants the thing seen, but he hides it first. He wants it known, but not immediately . . ’ Cipliano scratched the back of his head. ‘The majority of actual psychopaths, serial killers, they have the desire for others to share in what they’ve done, for others to understand, appreciate, sympathize.